Wit is the word for knowledge, cognate Wissen in German. It refers to a kind of corporeal knowledge that we find in science and intelligence.
Writ is anything that is written, as in the modern English word writ which is less used but in a select few cases that have become outdated, such as legal terms. A writ therefore can refer to any written work, being the word for writing, which I have divided into longwrit and curtwrit. Longer written works like novels and plays are longwrits while passages and articles are curtwrits. This goes into the realm of word-count and you can form systems further by referring to the most current charts for what constitutes novels and short stories.
In an effort to provide a more Germanic vocabulary for English, which has been undertaken by some in the idea of Anglish, I have presented here a list of words I find most benefactual for use in English writing. The idea here isn't to replace all foreign-rooted words in English for the sake of purism, as is with the Anglish endeavor, but to provide simple alternatives that make more sense in a Germanic/Anglo-Saxon literary mind and can be used interchangeably with the current vocabulary. This is the best method for reinstating Anglo-Saxon vocabulary in its Germanic sense, and it also is built for the sake of language and literature rather than the other way around, which is taxing and obstructive to the goals of language and literature.
Thede - nation, people, race; actual archaism, cognate Deut in German. From this we can derive several more words that have since only used Latin roots:
Thedeland - Germany, cognate Deutschland in German. Also could be Thedishland or Thedshland
Thedish - German, cognate Deutsch in German. Perhaps it could follow the same form as Swede and become the toponym Theden. Also use of Thedic.
Bethede - to mean, signify, cognate Bedeuten in German; Betheding - meaning, sense, significance; Thedely - articulate, clear, distinct
From this convention we can also use Anglish and Angland to denote English and England.
OTHER NOUNS
Lede - person, people, cognate Leute in German; exists in the sense of growing up from the soil, hence people in a specific area emphasizing closeness with the soil, such as in peasant classes.
Evenland - Europe
Morrowland - Asia
Witship - science. Makes more sense than the commonly suggested Witcraft or Lore, because Witship cognates with German Wissenschaft and carries the same linguistic meaning, which is science. Because wit signifies the actual knowledge, ship does not need to be appended to logies like biology or astrology; astrology would be starwit and astrological science would be star witship. Lore is a poor suggestion because lore is akin to mythology, which is a memorized archetypal knowledge of unscientific things, while wit is scientific and is based on experimentation or intellectual evidence.
Heirship - dominion, reign, built after Herrenschaft in German using "Heir" as a term for Lord, carrying additional hereditary implications. The cognate with the German word would actually be Hoarship from the hoary color of a man's hair, whence the word Herr came.
Meanship - community, cognate Gemeinschaft in German
Sellship - society, cognate Gesellschaft in German
Talebook - novel, also use of Novelbook
Wordbook - dictionary, wordbook
Wort - plant, actual archaism
Bild, pict - picture
Starswirl - galaxy, whorl starswirl - spiral galaxy
Roomwit - astronomy. Makes more sense than the commonly suggested Roomlore, because lore is akin to mythology and is not scientific.
Outsunnish wanderer - extrasolar planet
Waterstuff - hydrogen
Sunstuff - hellium
Sourstuff - oxygen
VERBS
to ly - to like (pronounced lee), derived from the mutation of the suffix -like into -ly. By the same virtue, I have suggested Ry for Reich or Empire.
to overset - to translate, cognate Uebersetzen in German
EXAMPLE
The signs from the Morrowland bedethe thoughts peculiar to the Morrowlandish lede. Their thedes comprise a distinct mindbild [psychology], with variation, reflecting the different elements of their meanship. Such things persist even in the era of witship's heirship, and will so long as the starswirl swings in the sky. These bedethings, of which there are thousands, are often objects of confusion to the thedes of Evenland, even in the face of the best efforts put forth by Thedish Morrowlandwitters in the past century. Masses of wordbooks are made to bridge this gap, but lede continue to ly remaining ignorant.
NOTES
This list is nowhere near complete nor is it intended to be. It is only for the benefit of the reader to form like-words through the methods above for their own writing. The ones I have mentioned are significant for one reason or another, which is why they are included here.
Thanks to the Anglish Wikia (The Anglish Moot) for providing a history of Anglicization and calque techniques.
Friday, March 22, 2013
Wednesday, March 6, 2013
Kaula - Avadhuta Gita
Band: Kaula
Album: Avadhuta Gita Chapter 1 (supposedly not to release another one)
Genre: Experimental Black Metal
Country: Italy
Year: 2011
Extreme ritual black metal or extreme clanking scratching metal? "Kaula" describes itself as experimental black metal exploring themes of the Kali cult and the Avadhuta Gita of Hinduism, and their first and only album so far is "less an actual album than a spiritual quest".
One thing that's immediately noticeable is that the hooks are great - truly in the area of ritual black metal, as if to trap the listener in a trance back to the ancient empires beyond earth; after these follow the usual metal vocals, which aren't bad, but at this point you realize that they really are a "black metal" band and not ritual or ambient. These parts are good especially because the instrumentals are always in the background, and when the vocal denouements come we hear the guitars or whatever else is making that infernal noise grow louder as if the chants have actually summoned something.
Riffs are average and supported by ritual ambient effects (distortion/bass). This makes them a little better than the average riff. Vocals aren't droning and their brevity is almost Burzum-esque, but nothing else is.
Rated 6/10 for Black Metal for ritual ambiance/noise, rare themes/lyrics.
"It also can be seen as the vision of one Pietro Riparbelli, an Italian artist who not only composed and recorded the whole thing throughout most of 2009 and 2010 but also designed its cryptic booklet and contributed with organs, medianic chants, field recordings and radio signals.
Defining himself as a "philosopher, composer and sound-multimedia artists based in Liverno, Italy", Riparbelli may have made for himself in the noise/experimental spheres with his main act K11 -- with whom he put out a bunch of lo-fi mind-boggling through multiple respectable imprint like Old Europa Café, 20 Buck Spin, Actual Noise or Aurora Borealis -- but Kaula is a whole different beast that eludes any firm categorization and whose desire to strip the listener down of any preconceived notions and take him somewhere he's never been before is the backbone of one-a-kind project. Musically wise, what could be seen at first glance at some kind of weird black-metal outburst -- including rasping vocals courtesy of Rosy from old-school death-metal warriors - Profanal and buzzsaw guitars -- soon makes sure all rules go out the windows by using various metal (doom, thrash) and non-metal (noise industrial) elements and create a sonic black hole.
But it's really on the spiritual level -- or, say, on the conceptual level if you will - that Kaula really treads on uncharted territories. Keen to explore the Hindu culture and the cult of Kali in particular, all the lyrics are based here on ancient text called 'Avadhuta Gita', said to have been originally written in the IXth century. As a result, all seven tracks have been named after it and are basically about attaining a spiritual state "equivalent to the existence of god".
Suffice to say that mastered by Mell Dettmer, who've worked with SunnO))) and Earth among (many) others, Kaula debut is a beast on its own."
*I must state that this probably shouldn't be listened to for enjoyment by anyone seeking to destroy Kali worship, such as myself. From a spiritual point of view, this album threatens to strengthen the idea-forms of the Kali Yuga through individual psyches.
** I couldn't find a place to download this from other than a Bandcamp page which charges you a euro.
I felt like this album needed to be dealt with. Melodramatic Italians might have been pretentious in writing these descriptions, against which I can easily dismiss as something edgy. Other than the superb leads, I don't recommend this band.
Album: Avadhuta Gita Chapter 1 (supposedly not to release another one)
Genre: Experimental Black Metal
Country: Italy
Year: 2011
Extreme ritual black metal or extreme clanking scratching metal? "Kaula" describes itself as experimental black metal exploring themes of the Kali cult and the Avadhuta Gita of Hinduism, and their first and only album so far is "less an actual album than a spiritual quest".
One thing that's immediately noticeable is that the hooks are great - truly in the area of ritual black metal, as if to trap the listener in a trance back to the ancient empires beyond earth; after these follow the usual metal vocals, which aren't bad, but at this point you realize that they really are a "black metal" band and not ritual or ambient. These parts are good especially because the instrumentals are always in the background, and when the vocal denouements come we hear the guitars or whatever else is making that infernal noise grow louder as if the chants have actually summoned something.
Riffs are average and supported by ritual ambient effects (distortion/bass). This makes them a little better than the average riff. Vocals aren't droning and their brevity is almost Burzum-esque, but nothing else is.
Rated 6/10 for Black Metal for ritual ambiance/noise, rare themes/lyrics.
"It also can be seen as the vision of one Pietro Riparbelli, an Italian artist who not only composed and recorded the whole thing throughout most of 2009 and 2010 but also designed its cryptic booklet and contributed with organs, medianic chants, field recordings and radio signals.
Defining himself as a "philosopher, composer and sound-multimedia artists based in Liverno, Italy", Riparbelli may have made for himself in the noise/experimental spheres with his main act K11 -- with whom he put out a bunch of lo-fi mind-boggling through multiple respectable imprint like Old Europa Café, 20 Buck Spin, Actual Noise or Aurora Borealis -- but Kaula is a whole different beast that eludes any firm categorization and whose desire to strip the listener down of any preconceived notions and take him somewhere he's never been before is the backbone of one-a-kind project. Musically wise, what could be seen at first glance at some kind of weird black-metal outburst -- including rasping vocals courtesy of Rosy from old-school death-metal warriors - Profanal and buzzsaw guitars -- soon makes sure all rules go out the windows by using various metal (doom, thrash) and non-metal (noise industrial) elements and create a sonic black hole.
But it's really on the spiritual level -- or, say, on the conceptual level if you will - that Kaula really treads on uncharted territories. Keen to explore the Hindu culture and the cult of Kali in particular, all the lyrics are based here on ancient text called 'Avadhuta Gita', said to have been originally written in the IXth century. As a result, all seven tracks have been named after it and are basically about attaining a spiritual state "equivalent to the existence of god".
Suffice to say that mastered by Mell Dettmer, who've worked with SunnO))) and Earth among (many) others, Kaula debut is a beast on its own."
*I must state that this probably shouldn't be listened to for enjoyment by anyone seeking to destroy Kali worship, such as myself. From a spiritual point of view, this album threatens to strengthen the idea-forms of the Kali Yuga through individual psyches.
** I couldn't find a place to download this from other than a Bandcamp page which charges you a euro.
I felt like this album needed to be dealt with. Melodramatic Italians might have been pretentious in writing these descriptions, against which I can easily dismiss as something edgy. Other than the superb leads, I don't recommend this band.
Monday, March 4, 2013
Nostraman
This project is to decipher the language Nostraman from Aaron
Dembski-Bowden’s Night Lords books
from the Warhammer 40,000 universe.
Nostraman is the third language used by the Eighth Legion, aside from High and
Low Gothic, and is also their native tongue. Culturally it is set as an extremely
poetic, “flowery” language that doesn’t translate well into English or any
other language. Its customs are ruled by deceit, violence, base human nature
and gang/mafia themes.
The analysis of this language will come from the examples pulled from
the trilogy’s three books, Soul Hunter,
Blood Reaver and Void Stalker. Not all examples have adequate context to translate
them.
The method of
analysis will be a comparative sequence to English sentences and patterns,
which most likely are reflected in the text, “Kosh, kosh’eth tay…” He’s saying thank you. Thank you, thank
you very much. There are numerous places where the English pattern seems to
surface in reflection to the gloss but within the Nostraman text.
The following are
excerpts from the books which have, at least, some kind of context from which
to draw translation:
CORPUS
Soul Hunter
Viris colratha dath sethicara tesh
dasovallian. Solruthis veh za jass.
Sons of our father, stand in midnight clad. We bring
the night.
(When they are speaking about Septimus' eye:)
Athasavis te corunai tol shathen sha'shian? – (?)
Kosh, kosh'eth tay... Ama sho'shalnath mirsa tota. Ithis jasha. Ithis jasha nereoss.
Thank you,
thank you very much… Good color, very good color.
Jasca – Yes
Blood Reaver
Ashilla sorsollun,
Ashilla uthullun – I am blind, I am cold
Vaya vey... ne’sha
– I don’t… understand
Shrilla la lerril – whore that mates with
dogs
Vellith sar’darithas, volvallasha sor sul –
(-asha might mean “I” in some way)
Tosha amthilla van veshi laliss – This vessel
is cursed.
Forfallian dal sur shissis lalil na sha dareel - We
must be cautious, watch yourself
Sil vasha nuray – He has no arms
Void Stalker
Sinthallia shar
vor vall’velias – That woman will be the death of us.
Corshia Sey – Breath
now
Nishallitha –
poisonous (p 165), since –llia is
often a noun ending, -llitha is an
adjective ending.
Athrillay, Vylas – greetings, brother
Vulusha, vulusha sethrishan? – How, how much?
Valmisai,
shul’celadaan… Flishatha sey shol voroshica – Variel’s call to arms for
Nostraman crew (p 344), perhaps with the phrase "Be ready now or die"
Vishi tha? – (p
347)
Ivalastitha –
peace
Yrosia se naur tay
helshival – smiling to mock me
Vel jaesha lai – I
love you (?)
Juthai'lah – Preysight
Valas Morovai – First Claw (First Squad)
Juthai'lah – Preysight
Valas Morovai – First Claw (First Squad)
LEXICON
Amthilla – vessel
Ashilla – I, or I
am
Athasavis – eye,
lens (?)
Athrillay –
greetings
Dasovallia – being
midnight clad, Dasovallitha – midnight clad (adjectival form)
Flisatha – ready,
Flisa – prepared (?)
Forfallia – being cautious,
Forfallitha – cautious
Ithis – color
Ivalastitha –
peaceful, Ivalastia – peace
Nishallia –
poison, Nishallitha – poisonous
Ruthis – absence
(?)
Sinthallia – woman
Solruthis – night,
“being wanting of sun” maybe, or “absence of sun” (sol – sun)
Sorsollia – sun that
illuminates, Sorsollun – blind (lit. sunless)
Uthullia – sun that
warms, Uthullun – cold (lit. sunless)
Valas – claw
Vallia – armor, cover, clad
Vallia – armor, cover, clad
Viris – sons
Vor – death
Vylas – brother
(being addressed), possibly Vyla – brother
Corshia – to
breathe (second person singular)
Vasha – to have
(third person singular), veshi – third person singular inanimate
Vaya vey ne’sha –
to not understand (first person singular)
Voroshica – to die
(second person plural)
Yrosia – to smile
(second person singular)
Jasha – good
Morovai – first
Nereoss – very
Nereoss – very
Kosh – thanks,
Kosh’eth tay – thank you very much
Sey – now
Shol – or
MORPHOLOGY
Since both the Ashilla sorsollun and Sinthallia excerpts has the “to be” verb
in their translation, perhaps the ending –illa
itself means “is”, since it’s seen that not all nouns have the ending –illa but when the word “is”
specifically occurs in translation.
-ll- if not the verb “to be”, it probably
denotes the nominative declension case
-asha is contained in all first-person
nouns, therefore “I”
-as is the only example we have of a singular
second-person address, therefore “you”
-ia is contained in all third-person
references, therefore “it”
-ay is contained in the only plural third-person
reference, thus “they”
-is is contained once in a plural second-person
reference, therefore possible “you all”, or an adjectival ending (ithis –
color, solruthis – without sun)
-ian probably means “we”
-un means without
Possible
Personal Declension, e.g. Vallia – armor
Vallasha – “I, armored”
Vallas – “you, armored”
Vallia – “it, armored”, “it, armor”
Vallian – “we, armored”
Kinship terms,
from the two stated here (Vyla – brother, Vira – son) center around the v and
l/r continuum, which is common in Latin (High Gothic) and Indo-European in
general to denote the word “man” or “person”.
Nostraman is rife
with apostrophes, being either a multiplicity of contractions as is common in
degenerate languages, or a simple aesthetic motif which is common of scifi (I’m
inclined to believe the former). Whether or not A.D.B. actually has a language –
if he actually constructed the language of Nostraman and used it for the books –
or has only made up the sentences as he’s gone on is unknown.
You can find links
to the two earlier articles about Nostraman here:
The data from both of these works has been compiled into the present page. This is one of the most popular pages and hopefully it continues to be of use to you.
Disclaimer: Soul Hunter and all other books, and their contents, released by Black Library are their property. I'm not stealing.
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